INGENERATIONS

Arte

Via fatebenefratelli, n.5, Milano, MI, 20121, Italia

19/01/2026 - 07/02/2026

Da una riflessione di PINO PIPOLI durante una lezione in Accademia di Brera, a Milano.

INGENERATIONS è un progetto espositivo collettivo che indaga il momento di nascita dell’opera,
intesa non come risultato concluso ma come processo aperto, sospeso e in continua trasformazione.

Il termine rimanda all’atto di generare senza un’origine o un esito definiti: un’“ingenerazione” come
deviazione, nascita laterale e non lineare, che rifiuta l’idea di genealogia stabile.

Il passaggio chiave è stato trasformare una riflessione teorica sul divenire dell’immagine in un
dispositivo curatoriale, lasciando che le differenze tra le pratiche degli studenti diventassero il vero
motore concettuale della mostra.

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INGENERATIONS is a collective exhibition that traverses various artistic practices, focusing on the
genesis of the works. To ingenerate means to create without boundaries: an undefined process in
which something comes to life, transforms in perception, in memory, in the body. In this exhibition, the
works do not affirm a clear origin nor a defined outcome; they constantly inhabit the intermediate space
of becoming. The exhibited works move along a line of suspension, where ingenerative processes
overlap, and together they give life to the space and time of the work. Immersion and suspension become
recurring figures: the body as a fragile place balanced between abandonment and resistance, between
surface and depth, between identity and dissolution. At the same time, the exhibition interrogates the
nature of contemporary languages: photography expands beyond the visible, involving new dimensions
of perception; the digital image materializes, assuming ritual and votive form; light constructs stratified
spaces in which multiple realities coexist; the poetic word becomes an operation of excavation and
inner reappropriation. In this sense, ingenerations does not propose a linear genealogy, but a set of
lateral births, of deviations. It recounts the fragile moment in which the image becomes experience,
memory transforms into presence, and meaning is not yet fixed, but continues to generate itself.